Listen to: Automatic Slim & the Fatboys
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Order Here:
Download extra Fatboy Spring liner notes
Listen to: Automatic Slim & the Fatboys
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Order Here:
Download extra Fatboy Spring liner notes
+ Twelve recordings from the 70’s & 80’s available on VINYL for the first time
+ Features Blaze’s own versions of songs that were covered by Merle Haggard, Willie Nelson, Lyle Lovett & John Prine
+ Liner notes by Blaze Foley biographer, Sybil Rosen; Cover photo by C.P. Vaughan
+ 500 copies pressed
“He is one of the most spiritual cats I’ve ever met; an ace finger picker; a writer who never shirks the truth; never fails to rhyme; and one of the flashiest wits I’ve ever had to put up with. He’s only gone crazy once. Decided to stay. But the main thing is the music. Blaze is a lover of things alive, and pleads their cause with every word. I am proud to call Blaze my friend” -- Townes Van Zandt, 1984
“Blaze Foley was a genius and a beautiful loser” – Lucinda Williams
"Foley wrote and sang story songs so vividly full of ache, sadness, reflection, and the naked truth that I believe he may have attained that level of direct realism that songsmiths such as Kristofferson, Dylan, and Haggard are always trying to reach . . .” -- Joe Nick Patoski, Texas Monthly
Secret Seven Records is proud to present Blaze Foley: Clay Pigeons, a (vinyl-only) career-spanning collection of studio, home and intimate live recordings from 1976 - 1988. Culled from posthumous CDs released by Lost Art Records and Fat Possum, Clay Pigeons marks the first-ever proper LP release by one of country music’s most beautiful, yet oft unheard, voices. Featuring many of Blaze’s best loved songs including: “Oval Room,” “Clay Pigeons,” and “If I Could Only Fly”—a song Merle Haggard described as “the best country song I’ve heard in 15 years.”
As is often the case with artists whose legacies have been shaped by tragic circumstances, in some ways the music of Blaze Foley cannot be divorced from his personal story. Born Michael David Fuller in 1949, he spent his formative years traveling the South with his family as a group of itinerant Gospel singers. By 1974, he had begun to develop his persona as a songwriter, first as “Depty Dawg,” and finally as “Blaze Foley.” Blaze’s brief career was characterized by equal measures of prolificacy, poor luck, and personal misfortune. Despite his friendship with fellow Texas outlaw country stalwart, Townes Van Zandt, success eluded Foley at all turns. Albums were recorded, lost, found, and lost again. Troubled both by substance abuse and homelessness, Foley struggled to commit many of his songs to tape, and those that were recorded rarely received proper releases during his lifetime—save a lone 45rpm. An LP was pressed in 1984, but allegedly, the album was seized by the FBI when the owner of the record label was arrested for drug smuggling. Blaze finally received some of the LPs, which he traded for beer and cab rides. Blaze’s life ended tragically in 1989 when he was fatally gunned down while intervening in a family feud on the behalf of an elderly and defenseless friend.
Despite the obscurity that plagued his career his talent was acknowledged and celebrated by his more successful peers both during his life and after his passing. Notables such as Willie Nelson, Merle Haggard, John Prine, and Lyle Lovett have covered Foley’s songs. Additionally, Townes Van Zandt and Lucinda Williams have immortalized Foley with tribute songs written in his honor. There is also a biography, Living In The Woods In A Tree: Remembering Blaze Foley, by Sybil Rosen that chronicles Blaze's life and concentrates on his early songwriting days when he was living with Sybil in a treehouse in rural Georgia. There is also a documentary film, Blaze Foley: Duct Tape Messiah. Yet despite any accolade that could be used to measure Foley’s importance, nothing comes close to hearing him sing his own songs.
Side One: Clay Pigeons / You’ll Get Yours Aplenty / Election Day / Lovin’ You / For Anything Less / Oval Room
Side Two: Cold, Cold World / Down Here Where I Am / Moonlight / Rainbows & Ridges / My Reasons Why / If I Could Only Fly
Listen to: Clay Pigeons
OUT OF STOCK
A limited quantity of this LP will be available at the record release/tribute show at Amnesia in San Francisco on January 26th. Featuring performances by Grace Sings Sludge (Grace Cooper of The Sandwitches), Paula Frazer, Will Sprott (of The Mumlers), Conspiracy Of Beards, Big Mountain City (with members of Two Gallants & Trainwreck Riders), and Joseph Childress.
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Purchase Sybil Rosen's book, Living In The Woods In A Tree: Remembering Blaze Foley here
To purchase other Blaze Foley albums on CD go to Lost Art Records & Fat Possum
Visit cover photographer, C.P Vaughan's website
Blaze Foley: Duct Tape Messiah documentary website
Tiny Tim: Lost & Found 1963-1974 is a (vinyl only) collection of 17 obscurities, consisting of previously unreleased acetates, privately pressed 45's, and an early '60's studio session arranged by Milton Glaser. Much of the material on this release was thought to have been lost to time, but after many years of collecting and compiling by Tiny Tim enthusiasts, Secret Seven Records is making it available to a wider audience for the first time.
Lost & Found contains tracks from Tiny's pre-fame years, recorded between 1963 and 1966, as well as songs from his post-fame years, recorded between 1971 and 1974. The material from the 1960's represents the years in which Tiny scraped by, performing in dives in Greenwich Village and living with his parents who had, by 1963, written him off as mentally ill. The material from the early 1970's, although recorded while his mainstream career was in its decline, features some of the most intriguing, eclectic, and enjoyable material of his career.
This limited edition VINYL LP includes liner notes by Tiny Tim historian / biographer, Justin A. Martell and a cover photo by Baron Wolman. Secret Seven would like to thank Ernie Clark and Justin Martell for their invaluable assistance.
"I listened to this album absolutely entranced. Tiny's genius is, I have always felt, utterly indescribable. Bizarre, devastatingly real, funny, sad—this album shows Tiny Tim as the emotionally naked and inspired innocent he was.What a remarkable man and artist, revealed as even more remarkable by this glorious and gorgeous album. " -David Tibet (Current 93)
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Side One: If I Had A Talking Picture of You / Sunshine / April Showers # 2 / Ballad Of Attica Prison (Whispering Voices) / Ever Since You Told Me That You Love Me / Delilah / I Ain't Got No Money / Ten Little Fingers, Ten Little Toes / Maggie May
Side Two: Me And The Man On The Moon / Alice Blue Gown / Can't Help But Wonder Where I'm Bound / Little Girl (In The Pines) / My True Love / Prisoner's Song / Old Front Porch / When You And I Were Young, Maggie
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Listen To: If I Had A Talking Picture Of You
Order Here: (This is the 2nd pressing of 250 copies)
This LP is distributed by Revolver and Light In The Attic
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Related Links: Tiny Tim Facebook Page Tiny Tim Official Website Baron Wolman's Website
Interview with Justin Martell about Tiny Tim + Lost & Found
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Mr. Bill Wagman was nice enough to send us an interview that he did with Tiny Tim on KDVS on 5/22/96.
Listen Here:Tiny Tim Interview on KDVS
Secret Seven and Mississippi Records have joined forces to reissue Blue Navigator, one of Michael Hurley's rarest and most enjoyable albums, on 8-Track cassette--a fitting format for a former 8-Track repairman. Blue Navigator was originally released on LP in 1984 on Rooster Records and quickly went out of print after a fire destroyed the Rooster offices and BN master tapes, making it one of Hurley's most sought after albums. Transferred from the original vinyl to virgin tape, and housed in a recycled cartridge. This is the 2nd pressing of 50 copies.
Songs: Blue Navigator, Who ever heard of You?, Dices Dices, Werewolf, Wolf Dispatch, '54 Chevy, Code of the Mountains, Ghost Woman Blues, Somebody to Say Bye Bye To, Open Up (eternal lips)
"Here is a long lost rarity from an unjustly overlooked American troubadour...timeless music..." -Russ Forster (Director of the 8-Track documentary So Wrong They're Right)
Listen To: Who Ever Heard Of You
Related Links: Russ Forster's Pirate Cat Review Bellemeade Phonics
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Secret Seven Records is proud to release the first ever reissue of the lost psych-folk LP 'Goodby Sunball' by cult favorite, Michael Yonkers. Privately released in 1974, 'Goodby Sunball' was recorded at Yonkers' home studio a few years after 'Microminature Love' and just before 'Lovely Gold'. Remastered from the original LP by Ben Tuttle.
Limited to 500 copies.
"The music for 'Goodby Sunball' was written during the recovery period following serious spine surgery. The surgery had not gone well, i was laid up for months, and had to learn to walk again. So, the music was written using an acoustic guitar, while laying in bed. When i was able to be up and around more, i started recording the songs...a little at a time.It took about 7 months. i recorded the tracks in the little studio i had in my place. It was all recorded on two-channel, tube type machines (back and forth between machines). The vocals were done in the bathroom, to give an expanded sound." - Michael Yonkers
Side One: Goodby Sunball / Tell Me Of Love / The Day Of Jubilee / Angel Of The Snow / The Swamp Of Love / Anne Is My Lassie / Another Day / Morning Of Love / Someone Like You
Side Two: Early Wakin' Morning / Strange And Lonely Land / Oh Can You Tell Me / Time Honored Love / Goodby Sunball
Listen To: swamp of love
Download Grace Cooper (of The Sandwitches) singing Yonkers': Oh can you tell me
SOLD OUT
Video by Jeanne Applegate
On their latest Vinyl release, Heidi and Grace from San Francisco's The Sandwitches perform four heartbreaking acoustic lullabies interwoven with the spookiest sessions of Duck Duck Goose! ever caught on tape. Recorded and Produced by Wymond Miles (The Fresh & Onlys) and The Sandwitches, Duck Duck Goose! features haunting renditions of Tim Cohen's "Rock of Gibraltar" (a bonus track from the Two Sides of Tim Cohen), and of the Oscar-nominated ballad "Baby Mine", from what some say is the most heartbreaking moment in Disney cartoon history. Stamped on one-sided 12" vinyl, the initial pressing of this EP is limited to 500 copies brought to you by Secret Seven Records and Empty Cellar.
Track Listing: Stardust / Duck Duck Goose (skit) / Rock Of Gibraltar / Baby Mine / Song Of Songs / Duck Duck Goose (skit)
Listen To: Song Of Songs
Order Duck Duck Goose Here:
Grace Sings Sludge / Last Year's Friend
Limited edition cassette tape from Grace Cooper of The Sandwitches. Featuring nine home recordings. 50 hand numbered copies. Side One: Harmon / East Of Friendship / The Same Way / Roger / Oh Bill! Side Two: Last Year's Friend / The Little Mermaid / Love Is Not A Feeling / Nite Tide Listen To: The Same Way ---------------------------------------------------------------------------------------------------------------- Order Last Year's Friend Here:
"Highly recommended...the album is packed with gems..." -The Bay Bridged
In A Cloud is a collection of 14 previously unreleased songs from some of our favorite San Francisco musicians including: Thee Oh Sees, Sonny & The Sunsets, Fresh & Onlys, Hannah & Raven (of Grass Widow), Jacques Butters, Ty Segall, Sandwitches, Exray’s, Donovan Quinn & the 13th Month, Trainwreck Riders, Dylan Shearer, Paula Frazer, Tim Cohen, and Kelley Stoltz. Mastered by Paul Oldham. Art by Richard Hart & Sarah Poole.
Side One: Sonny & The Sunsets – ‘Heart Of Sadness’ / Fresh & Onlys – ‘You Owe Your Life To The Streets’ / Donovan Quinn & The 13th Month – ‘Mysteries’ / Sandwitches – ‘Grey Wizard’ / Thee Oh Sees – ‘Contraption’ / Dylan Shearer – ‘4 In The Morning House’ / Jacques Butters – ‘Baby Held’
Side Two: Kelley Stoltz – ‘Pinecone’ (alternate mix) / Paula Frazer – ‘What Does It Take’ / Trainwreck Riders – ‘World Got Round’ / Tim Cohen –‘I Come Alive’ / Hannah & Raven (of Grass Widow) – ‘Beehive’ / Exray’s – ‘Everything Goes’ / Ty Segall – ‘Hey Big Mouth'
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LISTEN TO: sandwitches- grey wizard
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LP is Sold Out
ORDER CD HERE: (this limited edition cd is housed in a simple card-stock jacket)
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LISTEN TO: Window Twins - 4th place A non-album bonus song only available here courtesy of The Window Twins. Featuring Jon Bernson (Exray's) & Tim Cohen. You can purchase the debut Window Twins LP HERE
LISTEN TO: Carletta Sue Kay - For The Birds A non-album bonus song by a peculiar woman named Carletta Sue Kay who has recently shared concert bills with the likes of Thee Oh Sees, Fresh & Onlys, and Kinky Friedman.
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Related Links and Reviews: The Bay Bridged SF Weekly TooCoolToDie ChocolateBobka
Sonny & the Sunsets are a beautiful west coast thing. Birthed from the sand, the surf, and twilight campfires down in Ocean Beach, Sonny & the Sunsets’ busted beach-pop songs spark recollections of doo wop's otherworldly despair, the kitchen sink savoir faire of The Raincoats, a dose of goofball humor from the Michael Hurley school, and positive possibilities exuded by Jonathan Richman, with and without The Modern Lovers. Helmed by the acclaimed singer / songwriter, playwright, author & onetime troubadour pianoman Sonny Smith, The Sunsets have featured a revolving door lineup that now includes Kelley Stotlz and Tahlia Harbour. Still more friends and neighbors including John Dwyer, Tim Cohen and Shayde Sartin cosmically appeared to contribute to the debut LP, Tomorrow is Alright. Art by Chris Johanson.
Tomorrow is Alright hits on all the right zones, from sly VU-like observations to the true bedlam explored by Holy Modal Rounders. All the while, Sonny’s pen is soaked with an EC comics sense of storytelling, touching equally on the macabre, the absurd, the humorous, and above all, the entertaining. A co-release with the Secret Seven and Soft Abuse labels.
Side One: Too Young To Burn / Death Cream / Strange Love / Planet of Women / The Hour is
Side Two: Stranded / Bad Vibes & Evil Thoughts / Chapters / Love Among Social Animals / Lovin' on an Older Gal
Listen to: Death Cream
SOLD OUT
Related Links: The Bay Bridged
Voted one of the Top Albums of 2009 by SF Weekly
Tim Cohen may be familiar to you because you recently heard about the Fresh & Onlys, are a fan of the multi-genred Black Fiction, or are familiar with one of his many mysterious side projects. This record, however, is the first to bear his name. Written and recorded by Tim at his home during the interim between the unfortunate end of Black Fiction and the birth of the Fresh & Onlys, 'The Two Sides of Tim Cohen' is perhaps his most personal work to date. An immensely creative psych-folk opus, it is full of heartfelt love songs, amazing visions, & musings on death and worms. Tim's songs are reminiscent of the catchy, self-produced pop songs of (RAM era) Paul McCartney and Emitt Rhodes crossed with the skewed baritone bellows of Skip Spence and Michael Yonkers. Recommended for fans of Ariel Pink, Panda Bear, and Mayo Thompson, this vinyl-only release is shared by Secret Seven & Empty Cellar Records . Keeping with the times, the album comes with a CD-quality digital download of the full album plus seven unreleased bonus songs.
Side One: Amazing Visions / Haunted Hymns / Take Aim Goliath / We Never Go In / Burn My Martyr
Side Two: Unjeweled Splendor / Open Up The Sky / I Swear To God / Warriors & Clowns / Burden of Being
LISTEN TO:Haunted Hymns
Order Here:
Related Links: SF WEEKLY TO COOL TO DIE 7INCHES
After releasing two albums, two 7” & touring with artists such as The Flaming Lips, Band of Horses, Willie Nelson, & Cat Power, songwriter Travis Graves (A.K.A. Mt. Egypt) went into the studio to record his third album.
"The music of Mt Egypt III is a darkly delicate, introspective folk, simple and spare, warm and languid, a hazy sun dappled back porch summer afternoon sound, ethereal steel string guitar shimmer, wrapped in warm tendrils of muted melody, all with a subtly psychedelic cast. The sound is mostly acoustic guitar and vocals, but really nothing else is needed. It's all about the songs, and the voice. The songs themselves are practically perfect, sparse and spacious and stripped down, delicate and hushed, mysteriously and subtly catchy, the hooks are there, but they're hazy and indistinct, and hover in the background, the catchiness an afterthought to the mood, and the emotions, a gentle classic poppiness that informs Mt Egypt's skeletal country folk, and Graves' voice is the perfect match, plaintive and keening, slipping from a weary whisper to a mournful croon, somewhere between Neil Young and Songs:Ohia's Jason Molina. Grave's vocals occasionally woven into angelic harmonies, draped over elegiac stretches of minimal strum and drift. Broken hearted, twang flecked introspective folk, that is simply lovely. And is most definitely recommended for fans of Palace Brothers / Will Oldham, Fleet Foxes, Band Of Horses, Iron & Wine, Mount Eerie, Songs:Ohia, Rocky Votolato, Vetiver, Bon Iver and other similarly dark and introspective folk." -Aquarius Records
This 2nd pressing (of 150 copies) has seven different cover variations with a paste-on photo and a lyric insert.
Side One: hello world / same / how can a human mind? / inside, outside / 7
Side Two: ghost of the forgotten world / engine of its own / song to calm you down /everything in moderation / why are you fighting?
Listen to: same
Order Here:
Mt. Egypt III is also available digitally via itunes.